Actually that is the English title and I’m not prepared to Rosetta Stone the French language though I am willing to read subtitles which you’ll have to do if you wanna watch this spy comedy instant classic. If OSS 117 sounds familiar that’s because Lost in Rio is the sequel to Cairo, Nest of Spies (2008 US). If neither of these titles ring a bell then let me strongly urge that you see both! Cairo, Nest of Spies can be found on DVD while some lucky Americans can still see Lost in Rio (a May 7, 2010 limited release) in theater (Apparently Dallas, TX is not a part of that limited release so Imust wait for DVD.) OSS 117 is the alias of Hubert Bonisseur de La Bath, played by Jean Dujardin, a spy that’s one part Casino Royale (1967), two parts Maxwell Smart, with a dash of Austin Powers. Sound like your kind of espionage cocktail? Here’s the official synopsis-

Twelve years after Cairo, OSS 117 is back on a new mission at the other end of the world. As he tracks down a microfilm that is compromising for the French State, France’s most famous secret agent will have to team up with the Mossad’s most seductive lieutenant—colonel in order to capture a Nazi blackmailer. From Rio´s sunny beaches to luxuriant Amazonian forests, from the depths of secret grottos to the top of Corcovado’s Christ, a new adventure is about to begin. Whatever the danger, whatever the stakes, you can always count on Hubert Bonisseur de la Bath to find a way out…

Can’t miss! Take a look at the trailer-

Gone are all the high-tech gadgets, flashy and weapon-equipped cars and even the trademark line “Bond, James Bond”.  Everything that many Bond fans remember and associate the spy series with has indeed been dropped and replaced with more realistic and modern-day elements as a way to reinvent the series.  But probably the most notable change lies in the character of Bond himself.  British actor Daniel Craig is the current person filling Bond’s tuxedo and he has brought more humanistic aspects to the secret agent.  While some may not be too pleased with these changes, preferring the old-school, more gadget-laden Bond films to these new ones, I’m actually finding myself enjoying the Daniel Craig films more than I have any Bond film released since Sean Connery retired from the role.

Casino Royale, Craig’s first appearance as James Bond, may have to be my favorite Bond film period, no joke.  While admittedly overlong at 144 minutes, it was still an engaging take on the character, so my expectations were reasonably high walking into the surrealistically titled Quantum of Solace. I’m going to come right out and say it: the film is definitely a step down from Royale, choosing this time to focus more on the action sequences, which clearly have been inspired or even copied in a way from the Bourne franchise.  The film seems to reflect the emotional state Bond is in this time around.  When we pick up the story, Bond is still grieving over the death of Vesper Lynd, the love interest from Royale who betrayed Bond and so he has decided to go on a killing spree against the people whom he believes were working with Vesper.  As a result, Quantum of Solace winds up being a more brutal Bond film and that pretty much hurts it in the long run.

I will admit that while I appreciate the level of realism being brought to the series, James Bond has never been this violent of a person.  Bond fans may have the same reaction to this as I did, simply because there’s no reason for him to be so bloodthirsty.  Granted, he is upset over his lover’s death, but when has James Bond ever lingered on a past love?  What made Vesper so special since she ended up betraying him?  I personally just didn’t buy that, along with a few other minor things in the film.

Quantum picks up just one hour after the final scene of Casino Royale, with Bond engaged in a high-speed car chase with the goons of Mr. White.  Mr. White is, if you’ll recall, the member of a ’shady organization’ whom Bond cornered at the tail-end of the last film.  White happens to be in the trunk of Bond’s car and after Bond evades the henchmen, he takes him to a covert location in Sienna, Italy where he’s to be interrogated by Bond and M (Judi Dench).  As it turns out, White is merely one of many people who this organization “has everywhere”, so this revelation prompts Bond to chase down the leads he can obtain concerning this group.  Bond’s new mission first takes him to Haiti, where he comes across a femme fatale named Camille (Olga Kurylenko), who has ties to conniving environmentalist Dominic Greene (Mathieu Amalric), who is also a member of this all-reaching organization that’s later revealed to be known as Quantum.

Greene’s sinister plot involves him orchestrating a coup d’etat in Bolivia at the behest of a General Medrano (Joaquin Cosio) in exchange for a seemingly barren piece of desert land.  Next, Bond finds himself rescuing Camille and chasing Greene from an opera performance in Austria, to Italy (where he acquires the help of MI 6 defector Rene Mthis) and finally to Bolivia as he attempts to stop Greene and receive a quantum of solace for his feelings about Vesper.  But along the way, M restricts Bond’s movements by having his passports and credit cards revoked, which further complicates matters.  It all leads up to a very rushed climax in an eco-hotel in the middle of the desert.

As I mentioned earlier, I found running time to be an issue with Casino Royale and the same thing can be said for Quantum of Solace.  This may just be the shortest theatrical Bond film to date, clocking in at only 106 minutes, and as a result, most of the film feels rushed.  Director Marc Forster, whose previous credits include more muted works such as Finding Neverland and The Kite Runner, has previously stated that the short running time was intentional.  I can see the reasoning behind wanting to make a more linear and tighter thriller this time around, but seeing as the film has quite a few elaborate action sequences, it makes everything feels as if it’s built around the action.  There is a story to Quantum of Solace, rest assured, but it absolutely doesn’t hold its own against the story of Casino Royale.  The plot just feels like it’s something there to fill the gaps between each action scene.  A longer running time actually might have proved beneficial in this case, because it would have allowed for more time to catch our breath.

And the amount of action packed into a 106-minute movie inevitably makes it all feel rushed.  This can especially be said for the  film’s literally explosive finale, which felt like it was over all too soon.  However, the rushed action does have one good aspect to it, in that it ensures that nothing is dragged out, which is the case all too often for some of today’s action films.

But the disappointingly thin and rather predictable story is helped out a lot by the yet again solid performance by Daniel Craig, whose stoicism is matched only by his violence.  I hate to reiterate what most people have already said, but Craig is easily the best Bond since Connery.  Craig brings out the best in Bond because for the first time in quite a while, we are able to sympathize with him; by this movie, he’s nursing a shattered heart and replacing it with a cold one while going on a manhunt that endangers his future with his agency.  I think it goes to say that Craig carries this film, making sure that Quantum of Solace never deteriorates into a pure action film.  I can’t wait to see Craig’s next Bond film simply because he’s so good in the role.

In the end, Quantum of Solace could have been a lot better than it turned out to be.  But that’s not to say that it’s a bad film; it’s still a very fun ride that satisfies our thirst for a solid action film.  With a bit more focus on the story, I think it could have been on the same level of the upper-tier Bond films, but at least it’s not as awful as Die Another Day.  Here’s hoping that the Bond films never venture into that particular territory ever again.

Rating: ☆☆☆☆☆ 

Wanna hear Alicia Keys and Jack White sing the new title track to Quantum of Solace? Go to iTunes and download the title track, “Another Way to Die.”  This is the first time a duet has been performed for a Bond movie.

I’ve listened to the song about 12 times now and it’s good. It has a great mix of rock with brass. To hear Jack White play the guitar along with a crisp brass section and sing with Alicia Keys is something to behold. I can’t wait to hear it infront of the movie when the title sequence plays along with it. The song fits in with the retro sound that Chris Cornell helped create with 2006′s Casino Royale title track, “You Know my Name.”
For $.99 what do you have to lose? Download and enjoy.

Can’t wait till 11/14/08 to see Quantum of Solace and Daniel Craig back in the role of James Bond, 007.