By John Cooper on November 13th, 2009 -
2012 Review — John’s Take
There’s more human suffering on display in Roland Emmerich’s 2012 than any other film I’ve seen. Emmerich raises the stakes of his own game, creating a level of destruction that outdoes anything seen in Independence Day or The Day After Tomorrow. Where he succeeds most brilliantly is in forming a perfectly satisfying piece of coherent [...]
